Holly Meyer-Dymmny kept her Design succinct and multi-purpose. As we were doing two one-act Operas, Meyer-Dymmny chose to reuse and recycle existing prop pieces. The build was composed of four tables that would convert into four prayer kneelers in Mese Mariano, and one giant table to four writing tables in Chanson Fortunio. The task for me and my fellow builder, Cadence Cook, was to create pieces that could be converted from two different aesthetics, while still being unique.